Note 4: Please note that the UHD SDI output of this camera is also approved by Netflix and has already been used in a number of projects. To check the illumination of different lenses on ARRI cameras, please try the Frame Line & Lens Illumination Tool. Note 3: Netflix recommends that lenses not specifically designed for large format be thoroughly tested for adequate sensor coverage, and for satisfaction of the production’s creative intent. Master Anamorphic lenses from 40 mm on cover this area, and the ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36 covers this area from 21 mm on for wide angle shots. When shooting with 35 format 2x anamorphic lenses for a 2.39:1 aspect ratio result, Netflix accepts the use of a 3148 x 2636 area on the ALEXA LF sensor (if you have gotten Netflix approval for 2.39:1 to begin with).All Master Anamorphic lenses cover this area. When shooting with 35 format 2x anamorphic lenses for a 2:1 aspect ratio result, Netflix accepts the use of a 2880 x 2880 area on the ALEXA LF sensor.Amongst other topics, the white paper covers two methods for shooting with anamorphic lenses for a 4K mandate: A Netflix approved ARRI white paper with details can be downloaded directly here. Note 2: While full frame anamorphic lenses are slowly entering the market, shooting with existing 35 format anamorphic lenses is also possible by using LF Open Gate and cropping the desired area from the image in post-production.
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